My Textile Portfolio Prints with Purpose, Patterns with Heart
Take a closer look at my collection of block-printed textiles, surface pattern explorations, and original fabric designs — all inspired by nature, heritage, and everyday art.
Floral Harmony
Soft, elegant florals inspired by Indian gardens. Perfect for breezy garments and soulful interiors.
Mughal Majesty
Regal motifs drawn from ancient architecture and heritage art. Timeless prints with royal charm.
Earth & Indigo
Natural tones, indigo blues, and earthy palettes that celebrate calm, tradition, and grounded beauty.
Bold & Abstract
Geometric and freeform designs that break convention — for those who love modern, minimalist expression.
Festive Threads
Vibrant, celebratory prints for special occasions. Rich hues and intricate details bring joy to fabric.
Everyday Elegance
Cozy, wearable prints for daily living — designed to blend comfort, craftsmanship, and effortless style.
TEXTILE DESIGN PORTFOLIO
I am a passionate and enthusiastic Textile Designer with extensive experience in the fashion industry both locally and internationally.
FAQ
Block print is a printing technique in which an image or design is first created on paper and then engraved on a block and pressed onto a cloth or paper. it is also known as relief printing.
Carving the outline block is the most challenging step in the process of block printing. As the skeleton of the design, it is the most expensive block. The most skilled artisan ( often the owner )in the block- making shop works on this piece. The work begins with a freehand paper drawing of the outline of the design. using the drawing as a map, the artisan trances the coloring blocks
Block carving is tedious and requires exceptional craftmanship . Craftmanship trace the design onto a flat piece of sheesham wood the best wood for this type of printmaking ,it 1/3-inch deep.
The number of blocks needed to make a print depends on the design each color and design many require a different number of blocks .a simple design may require only three blocks, and a complex design may requires as many as 30 blocks
The wood printing process is only aided by intuition and experience . The color Master prepares his color recipe by looking at the paint shades . after mixing and testing the colors, it is time to prepare the dye pad.
A dye pad consists of a rectangular wooden tray. to which a metal frame is attached with yards of nylon rope. ( the taut rope mesh provides a spring effect during printing. ) several layers of coarse sacking material are stacked on top pf the rope mesh. the final layers are pieces of fine fabrics such as silk , chiffon , or voile . the choice of the final layer depends on the saturation required for printing. after this we put the dye in the pad and mix the surface of the dye pad with a piece of wood. after this ,we put the wooden blocks in color- wise carts and arrange them in the order of printing.
Uniqueness. Each print has the slightest variation of handmade craftsmanship – a touch that no machine can replicate. Every motif has a soul. Every piece is one of a kind.
At Varsha Yogi Studio, we respect this heritage technique not only for its beauty but also for its cultural and artistic depth. Our designs often blend traditional Indian elements with a contemporary color palette, breathing new life into a centuries-old art form.
To prepare the fabric for block printing, it needs to be pre-washed to remove sizing and impurities, then ironed for a smooth surface. Common fabrics used include cotton, silk, and wool. The fabric is then stretched and pinned to the printing table, and the desired printing areas can be marked with chalk.
Pre-washing:
Purpose: Removes any sizing or treatments from the fabric that might interfere with the printing process.
Process: Wash the fabric thoroughly, ensuring it’s clean and free of any residuce
Ironing :
Purpose: Creates a smooth, wrinkle-free surface for printing.
Purpose: Iron the fabric well, removing any folds or creases.
Attaching to a printing table:
Purpose: Provides a stable, flat surface for printing.
Purpose: Stretch the fabric tightly over a printing table and secure it with pins.
Marking printing areas:
Purpose: Helps with alignment and ensures consistent patterns.
Purpose: If needed, lightly mark the areas where you want to print with chalk or another suitable marking tool.
The process involves careful carving of the design, application of color, and precise stamping for a unique and artistic result. Before using any color blocks, artisans print the outline of the design. The block printer dips the outline block into a dye pad and moves it down the length of the table. He carefully places the block on the fabric and then strikes it with the heel of his hand. The block carver chisels out registration points on the outline block, which help align the remaining blocks. The printer’s hands are his only tool here. These registration marks on block printed fabrics help distinguish them from mass-produced textiles that are often sold under the guise of hand-made block prints. A close inspection reveals the registration marks, which all authentic block-printed textiles have. The most experienced printer prints the outline because it provides the framework for the design. After printing the outline, he fills in the remaining colors and reinstalls the block printing fabric .